CAN YOU READ

or was my simple question to difficult for you to answer

one could suppose that someone with such a surname might be PANTOMIME minded , your ridiculous arguments turn this subject into one , save them for rybkas theatrical forum
So one could copy someone else's code having convinced himself all ideas contained therein are public domain, munge a few procedures, maybe add some original ideas and call it a new name. This seems to pass your personal smell test. Yet one is still selling a product with significant portions of a copyrighted(lefted) recipe of public domain ideas. Not kosher in very many people's books (and some laws) including the ICGA's.Chris Whittington wrote:Absolutely, and that's the key and where the discussion should eventually be. Unfortunately we are still bogged down in disagreement over the particular importance of individual elements and with confusing global use of the term copying vis a vis ideas/code etcorgfert wrote:But the specific recipe of how the ideas (which you say are not owned by fruit) are combined is owned by fruit. That recipe is fruit's idea.Chris Whittington wrote: Our contention is that ideas in Fruit which are paralleled in some way in Rybka are NOT "owned by Fruit" in the first place.
Chris Whittington wrote:There is NO game-playing code copied. If there was you would put it side by side, as asked a thousand times, and show it. But you don't and can't. The Zach document shows parallel use of IDEAS, different weights, different implementations. The ideas overlap is partial. Not all of Fruit is in Rybka, not all Rybka is in Fruit. Rybka contains own ideas and Fruit ideas that Vas said all along he went forwards and backwards taking. There's no copyright violations and the plagiarism charge collapses on the basis that the cross-over ideas are not owned by Fruit in the first place. You can't plagiarise null move or minimax because they are in general usage, likewise you can't plagiarise used or second hand evaluation ideas.hyatt wrote:another author's "language, thoughts, ideas, or expressionsChris Whittington wrote:Apologies, I diverted you from the dictionary/wiki definition of "plagiarism" by changing it slightly as a title.BB+ wrote:This is a limited definition of plagiarism. In the Rybka/Fruit case, the principal aspect was the overlap in the set (and specification) of features, not any single feature itself. This has been discussed so often, both in the abstract and in the case here, it is almost pointless to reiterate.Minority Report 5, Not plagiarism unless feature is unique
I refer to this post, with the quotations Originality requires neither novelty or uniqueness, and The Appellate Court found that the term original should be read to mean "owes its origin" to a particular author, and not that the work was "startling, novel or unusual, or a marked departure from the past." In the Rybka/Fruit case, the specific choice of evaluation features in Fruit 2.1 "owed its origin" to Letouzey, and various Rybka versions were found (by the ICGA) to derive from this origin.
The definition actually says:
Twentieth-century dictionaries define plagiarism as "wrongful appropriation," "close imitation," or "purloining and publication," of another author's "language, thoughts, ideas, or expressions," and the representation of them as one's own original work,[1][2]
cutting this definition down for our purposes of discussion, we have
Twentieth-century dictionaries define plagiarism as "close imitation," of another author's "ideas" AND the representation of them as one's own original work.
Key to this definition is the term another author's "ideas"
If the "idea" was not Fruit's but "another author's" then it is not plagiarism of Fruit. So, if you can't show the "idea" as what I maybe erroneously describe as "unique" when what I mean is "owned by Fruit" only, then the "plagiarism" charge does not hold and "plagiarism" case collapses. Our contention is that ideas in Fruit which are paralleled in some way in Rybka are NOT "owned by Fruit" in the first place.
You could see this "ownership" concept as a kind of FILTRATION process prior to COMPARISON.
That says it all. Source code is a semantic expression of an idea. That is what can NOT ber copied. The key is NOT "idea". The key is "the expresssion of that idea', AKA "source code."
If this said "There is no game-playing code literally copied", then I would be more prone to agree. Then again, it seems we don't have a literal copy of any Rybka version that competed in any competition, ever.Chris Whittington wrote:There is NO game-playing code copied.
Factors are only one part of the discussion. If you copy X but change the numbers, you still (non-literally) copied X. Part of the derived work (X+number_changes) is specific to you, and part of it to X. Any percentages depend on the case. As part of the context was PSTs, I might return you to the challenge of generating other PST sets with as few changes from Fruit 2.1 code as Rybka 1.0 Beta requires. It is possible that this "minimal change-set for [functional] equivalence" metric will be used with Fabien/FSF, and perhaps EVAL_COMP will additionally be complemented by such. Such a metric particularly addresses what the "origins" of a program likely are.Rebel wrote:Perhaps Zach is also willing to explain the extraordinary factor differences between Fruit and Rybka. [...]
Perhaps if I spell out the critical point in easy to understand terms, we might actually get an answer from you?BB+ wrote:If this said "There is no game-playing code literally copied", then I would be more prone to agree. Then again, it seems we don't have a literal copy of any Rybka version that competed in any competition, ever.Chris Whittington wrote:There is NO game-playing code copied.. And on top of that we can't compare Fruit source to Rybka disassembly literally. Horrors! plagiarism and copyright law thus can't apply here!
Also, the declination to merely "game-playing" is not completely clear to me in general. For instance, suppose a 16th century map-maker X makes a map of "Amerika", complete with the made-up barren island of Fugato. Map-maker Y copies (non-literally) the map, including Fugato. There was "NO" useful information copied. But I could only chuckle if Y claimed (w/o any other evidence) that only Fugato was copied, and the rest was his "original" work.Or more legalistically in modern jargon: the copying of "mistakes" of others is quite significant prima facie evidence that copying occurred on the whole, and the evidential burden would typically shift to the accused to demonstrate that any disputed parts are indeed original. So the non-game-playing code from Fruit 2.1 that appears in Rybka 1.0 Beta is indeed relevant in its implications.
Factors are only one part of the discussion. If you copy X but change the numbers, you still (non-literally) copied X. Part of the derived work (X+number_changes) is specific to you, and part of it to X. Any percentages depend on the case. As part of the context was PSTs, I might return you to the challenge of generating other PST sets with as few changes from Fruit 2.1 code as Rybka 1.0 Beta requires. It is possible that this "minimal change-set for [functional] equivalence" metric will be used with Fabien/FSF, and perhaps EVAL_COMP will additionally be complemented by such. Such a metric particularly addresses what the "origins" of a program likely are.Rebel wrote:Perhaps Zach is also willing to explain the extraordinary factor differences between Fruit and Rybka. [...]
Basically you are trolling because you are inventing something I never said in any way shape or form. Then you expect me to come back and "correct you". Which is a bore for me to correct something I never suggested in the first place.orgfert wrote:So one could copy someone else's code having convinced himself all ideas contained therein are public domain, munge a few procedures, maybe add some original ideas and call it a new name. This seems to pass your personal smell test. Yet one is still selling a product with significant portions of a copyrighted(lefted) recipe of public domain ideas. Not kosher in very many people's books (and some laws) including the ICGA's.Chris Whittington wrote:Absolutely, and that's the key and where the discussion should eventually be. Unfortunately we are still bogged down in disagreement over the particular importance of individual elements and with confusing global use of the term copying vis a vis ideas/code etcorgfert wrote:But the specific recipe of how the ideas (which you say are not owned by fruit) are combined is owned by fruit. That recipe is fruit's idea.Chris Whittington wrote: Our contention is that ideas in Fruit which are paralleled in some way in Rybka are NOT "owned by Fruit" in the first place.
Correct me if I've not described your argument rightly.
Even if someone thinks it's OK, does that make it also OK to violate a club rule (ICGA) against the practice?
Chris Whittington wrote:Perhaps if I spell out the critical point in easy to understand terms, we might actually get an answer from you?BB+ wrote:If this said "There is no game-playing code literally copied", then I would be more prone to agree. Then again, it seems we don't have a literal copy of any Rybka version that competed in any competition, ever.Chris Whittington wrote:There is NO game-playing code copied.. And on top of that we can't compare Fruit source to Rybka disassembly literally. Horrors! plagiarism and copyright law thus can't apply here!
Also, the declination to merely "game-playing" is not completely clear to me in general. For instance, suppose a 16th century map-maker X makes a map of "Amerika", complete with the made-up barren island of Fugato. Map-maker Y copies (non-literally) the map, including Fugato. There was "NO" useful information copied. But I could only chuckle if Y claimed (w/o any other evidence) that only Fugato was copied, and the rest was his "original" work.Or more legalistically in modern jargon: the copying of "mistakes" of others is quite significant prima facie evidence that copying occurred on the whole, and the evidential burden would typically shift to the accused to demonstrate that any disputed parts are indeed original. So the non-game-playing code from Fruit 2.1 that appears in Rybka 1.0 Beta is indeed relevant in its implications.
Factors are only one part of the discussion. If you copy X but change the numbers, you still (non-literally) copied X. Part of the derived work (X+number_changes) is specific to you, and part of it to X. Any percentages depend on the case. As part of the context was PSTs, I might return you to the challenge of generating other PST sets with as few changes from Fruit 2.1 code as Rybka 1.0 Beta requires. It is possible that this "minimal change-set for [functional] equivalence" metric will be used with Fabien/FSF, and perhaps EVAL_COMP will additionally be complemented by such. Such a metric particularly addresses what the "origins" of a program likely are.Rebel wrote:Perhaps Zach is also willing to explain the extraordinary factor differences between Fruit and Rybka. [...]
Shakespeare writes "to be or not to be"
Some time later and forgetting about timeout issues, person T translates and writes "sein oder nicht sein"
Some time later person U writes "etre ou n'etre pas", pardon my French
Now, we don't really know if U copied/translated T or S or invented it himself, but we certainly can't say here that U plagiarised T because it is S who wrote the original, even if it were the case that U derived his expression from T, it is not T's expression.
The parallel to Fruit/Rybka, is that plagiarism (the verdict levelled by the icga) is not applicable UNLESS FRUIT OWNS THE ALLEGEDLY PLAGIARISED THING.
That's why we don't talk about plagiarism of null move or minimax. Too common, too often used. Evaluation sub components likewise only you missed that in your reports.